The Lost Country

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I like to write about childhood, for different reasons. There were times when everything was perfect, like when I was 7-9 years old and my family lived in a serene (then) and beautiful neighborhood in Santa Monica, California. My best friend lived a few houses away, my piano teacher lived on the opposite corner, my babysitter was just down the street, and my first crush, a blonde, freckle-faced cutie named Linda Coss, lived at the bottom of the street in the only pink house in the whole neighborhood. Flowers perpetually smiled through the white picket fence surrounding her garden, and bluebirds and butterflies circled above her room constantly. (In my memory, anyway.)

We moved fifteen times before I was fifteen years old. Some kids are given the tools to be okay with that. I wasn’t one of them. Perpetually the new kid, and very small in stature (one of my older brother’s nicknames for me was “Pail and Frail”), I got bullied a lot. I resented my parents for disrupting my life every year or two because they were unhappy, and blamed them for everything that went wrong. I was like a sapling getting yanked out of the soil every time I started putting down roots. As a result, I grew more confused and angry as my teenage years came along, eventually developing severe shyness and low self-esteem. The bullies had accomplished what they wanted to do to me.

When I got out of high school and got my first car, I would often drive to that old neighborhood and walk around. Of all the neighborhoods we lived in, that was the one that felt like home to me. It was where my “wonder years” happened. But it wasn’t the same, of course. Everyone I knew as a child had moved. Other people lived in our house. I resented them, even though we moved out over ten years earlier. My brother had become a heroin addict, my father was cut down to skin and bone by cancer, my high school girlfriend had an abortion that killed me spiritually, and I had no college or career aspirations. In fact, I had no idea what I wanted to do or be. This all caused a desire as overwhelming as it was unrealistic – to go back to the time when everything was still ahead of me and my family, when no mistakes had been made yet. I was like a ghost haunting my own life too early.

As I got older and started writing, childhood was one of my favorite subjects. It still is. They say writing is living twice. Maybe that’s why. I’m still trying to find what I lost, fix what was broken, and relive the moments when everything was perfect. Moments of pure joy, like when I saw Santa Claus fly right over my house while laying on my front lawn. I even heard the reindeer bells. Or my best friend Dana and I sitting in trees and rooftops with walkie-talkie’s, pretending the neighbors walking below were enemy spies. Or making gelatinous bugs and snakes in our Mattel Thing-Maker oven, then scaring the girls on the street with them. Or watching Sci-Fi movies in chair-and-blanket forts while stuffing our faces with candy. Or my teenage babysitter Shirley arriving with a handful of toys and puzzles for my brother and I to play with. As the saying goes, “God was in His universe and all was right with the world.” 

While reading a book by Gail Carson Levine called Writing Magic – Creating Stories That Fly, I came across a perfect description of the desire to somehow access childhood again through writing. She wrote:

“I used to think, long ago, that when I grew up, I’d remember what it felt like to be a child and that I’d always be able to get back to my child self. But I can’t. When you become a teenager, you step onto a bridge. You may already be on it. The opposite shore is adulthood. Childhood lies behind. The bridge is made of wood. As you cross, it burns behind you. If you save what you write, you still won’t be able to cross back to childhood. But you’ll be able to see yourself in that lost country. You’ll be able to wave to yourself across that wide river. Whether or not you continue to write, you will be glad to have the souvenirs of your earlier self.”

I’m a father of two girls now, three and six years old. They are bringing the magic back to me. Before I became a dad, I used to be annoyed when parents would say “Really? Wow!” to their young children with false enthusiasm in response to something nonsensical they had just said. But I get it now. Today, my youngest daughter said to me, very excitedly, “Jelly Bean has a tail!” and I found myself saying, “Really? Wow!” Still not wanting to be one of “those” parents, however, I asked her to explain the comment. But her answer confused me even more.

I concluded that saying “Really? Wow!” is actually a very wise admission, a surrender to the fact that children live in a world grown-up’s are not allowed in. As Kahlil Gibran wrote in The Prophet –

Your children are not your children.
They are the sons and daughters of Life’s longing for itself.
They come through you but not from you,
And though they are with you yet they belong not to you.

You may give them your love but not your thoughts,
For they have their own thoughts.
You may house their bodies but not their souls,
For their souls dwell in the house of tomorrow,
which you cannot visit, not even in your dreams.
You may strive to be like them,
but seek not to make them like you.
For life goes not backward nor tarries with yesterday.

You are the bows from which your children
as living arrows are sent forth.
The archer sees the mark upon the path of the infinite,
and He bends you with His might
that His arrows may go swift and far.
Let your bending in the archer’s hand be for gladness;
For even as He loves the arrow that flies,
so He loves also the bow that is stable.

Not wanting to give up so easily, I asked my daughter if I could go with her to her world, to visit Jelly Bean and see his tail. She said, “Yes, daddy!” very exuberantly. We walked across the room, sat down and played for a while, despite the spaces between us – between her innocence and my world-weariness, her perfectly unfettered joy and my comfortless logic. But still, all I could do is watch her in wonder and envy at the delicious irresponsibility and frivolity of her life, a frivolity I encourage and protect. The bubble of childhood will pop soon enough, and always too early.

In his song Too Many Angels, Jackson Browne wrote:

There are photographs of children
all in their silver frames
on the windowsills and tabletops
lit by candle flames.
And upon their angel faces,
life’s expectations climb
as the moment has preserved them
from the ravages of time.”

I did not begin to let go of my childhood until I had children of my own. How could I when only my life concerned me? Their effortless ability to save me from endless reminiscing was and still is my salvation. Their future is more important to me now than my own, or my past. I’ll still visit it in my writing, but with far less aching melancholy because now, anytime I need to see what joy is, I just have to find them and watch them play. I will not allow my restlessness to uproot my little saplings. I will not allow any unhappiness I feel to disrupt theirs.

Two Worlds (poem) – Childhood and Charlottesville

Here’s one of my first attempts at poetry, written during my (overly) dramatic and (unnecessarily) tumultuous late teens or early twenties. Looking back, I realize it wasn’t just a choice between serenity and strife. In fact, life always fluctuates between the two. It’s how we handle the episodes of strife that matters most. Wayne Dyer said we all need to have an “insular Tahiti” – a place inside ourselves the world can’t touch. Otherwise, pain will invade us completely and overwhelm our ability to cope or even imagine being happy again, like thinking a storm will last forever and the sun will never shine again.

As a kid, I loved a toy called the 3D View-Master.

I didn’t have video games or an iPhone. We only had a couple of TV channels, and except for afternoons and Saturday mornings, only adult shows were on, so we kids back then were much more easily entertained. I would crawl inside those View-Master slide worlds and live there, so much so that my mind today is a panoply of the idyllic scenes the geniuses behind this toy created. My childhood wasn’t perfect so this escapism was a blessing and a relief. I suspect the mental vacations into the View-Master slide worlds must have been even stronger for kids living in worse circumstances than I did. The fantasy inside the little binoculars versus the real world they were born into.

I’ll be using 3D View-Master slides in part to illustrate this poem. Enjoy!

Two Worlds

Two worlds have I known along the path of this life –
one of serenity, the other of strife.

The first world I knew was a magical place
of warm smiles and laughter and kind-hearted grace.

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Of meadows and tulips, wood shoes and white blouses.
Of bread trails and bonnets and gingerbread houses.

Of blind mice and windmills and Little Jack Horner.
Of Winnie and Tigger and the tree at Pooh Corner.

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Of fun-loving pirates and billowing sails.
Of serpents and mermaids and friendly, blue whales.

My young eyes saw the world as a sweet, gentle place
without hatred or killing over nation or race.
There was no better or worse, only different from me
and it made life enticing, a grand mystery!

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I remember gazing in wonder, unexamined and pure,
at the indigo sky. Oh, the thoughts it allured!
So many places someday I would see!
So many people to share it with me!

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But the wind-spinning freedom which was my young world
grew shrouded in darkness as adult years unfurled.
And the strangest thing is I never noticed peace die.
I just knew it was gone and I didn’t know why.

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Thus began the long years of searching for answers,
questioning poets, musicians and dancers,
politicians and teachers, gurus and sages,
spending my youth between dusty pages
to recapture a feeling, stolen or lost,
and hold it again, no matter the cost.

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Many years have passed now. I’ve grown old and gray
and I watch the games that my grandchildren play.
I can hardly recall how my youthful heart yearned
and I won’t bore you with stories of the lessons I’ve learned.

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But I will tell you this – joy isn’t somewhere “out there.”
It cannot be studied or found anywhere.
It’s something you’ll either let in or you won’t,
something you give to yourself or you don’t.

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Do you hear what I’m saying? All the searching’s for naught!
All that you need, you’ve already got.
There will surely be pain. That’s life’s one guarantee.
But how much we suffer – that’s up to you, and to me.

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Post-Script: Not to end on a negative note, but as I was looking for photos to illustrate this, the domestic terror attack in Charlottesville yesterday was heavy on my mind. Maybe that’s why I chose this poem to post today. Nobody starts out hating. May we all retain the joy and appreciation of differences we had as children, and create an America we can be prouder of. 

 

That We Were Kind (poem)

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Does anyone know where the little boy went?
The little boy who used to be me?
He’s still alive somewhere inside this shell,
Though the shell is all you can see.

Can you still see him reaching out for love
From behind these time-worn eyes?
The child with a heart as bright as the stars
Hiding beneath this thin disguise?

What a cruel trickster Father Time can be,
Changing our costumes as we age.
From infant to child, and from young to old,
A new character with every stage.

We might as well be four different people.
The adult barely resembles the child.
The external transformation is so complete,
Young and old are rarely reconciled.

But there are some whose eyes still twinkle,
For whom the child within never dies.
The outside world can see only the surface.
Only they know how their surface lies.

What can we learn from all this changing?
From the fact that nothing is real?
How can we judge by a deceptive façade
That hides the way we truly feel?

The way to get the whole picture, it seems
Is to think of everyone that we see
As the child they were, who they are today,
And the old person they soon will be.

We should also see them as dead and gone,
Their short life on earth finally done,
With all their trials rendered null and void,
All their battles either lost or won.

Whitman wrote, “The powerful play goes on
And you may contribute a verse.”
The same is true for every person we meet.
We make their lives better or worse.

Thus, we should measure disheartening words
And make sure they need to be spoken
So we won’t be among those who caused dismay
If they reach the end of life heartbroken.

And when those we’ve known are old and gray,
Remembering years they left behind,
Comforting words we said might return again
With the memory that we were kind.