When I was twenty-seven years old, I traveled to Paris alone. Shortly after my arrival, I met a local woman named Lauren who offered to show me around the city. I asked her to take me to Pere Lachaise Cemetery. She thought it was strange that, of all the sites of Paris, I wanted to see a graveyard first.
At that time in my life, I was obsessed with finding out what happens when people die, mainly because I had lost a good friend to a car accident several years earlier. She was one of the kindest people I had ever known. I was aware of the personal responsibility argument, but I still couldn’t understand why God would let that happen to her.
After she died, I started reading everything I could about near-death experiences and accounts of the afterlife. I also became drawn to old cemeteries, and even conducted a séance in one. I didn’t expect to communicate with my friend, and had been warned by more faithful friends that I might attract malevolent spirits, but I did it anyway because even if something bad happened, I would at least know that there was something beyond life, and that my friend might still be alive in some way. The need for hope made me reckless. Words didn’t comfort me. I needed a real experience.
Pere-Lachaise Cemetery was established in 1806 so many notable artists and luminaries are buried there such as Oscar Wilde, Marcel Proust, and Frederic Chopin. However, the grave I was most interested in seeing was Jim Morrison’s, the lead singer of The Doors, because I had been exploring his music and writings for months before this trip.
In case you’ve never seen it, here are a few shots of Pere-Lachaise Cemetery –
I became interested in Jim Morrison’s music and poetry because he shared my obsession with death and the afterlife, perhaps because of a similar experience – he had witnessed the aftermath of a terrible car accident as a child. His poetry and raging vocals gave a voice to the darkness in me. He wrote and sang like an animal crying out in pain. There was no self-consciousness or desire to please, just raw energy. In an era of peace and love, he crashed the party and reminded everyone that the dark side was still there.
The morning of the day we went to the cemetery, Lauren and I were at a Laundromat when a young Parisian man with long, blonde hair and denim overalls came over, introduced himself as Henri, and handed Lauren an Origami rose he had just made. He looked just like a “hippy” from the 60’s and, we would discover, had the same loving nature most of them strived for. We thanked him and complimented his artistry. After talking for an hour or so, he wrote down his address and invited us to dinner that evening. We accepted.
We went to the cemetery later that day. It was very crowded. When Lauren asked someone why, we learned that we had accidentally visited on the anniversary of Jim Morrison’s death, July 3rd. That was the first coincidence.
A large crowd was gathered around his grave in reverent silence. As I read his grave marker and calculated his age, I discovered the second coincidence . . . I was the same age then that he was when he died – twenty-seven.
As I sat by his grave, I recalled the lines from his poetry that meant the most to me at that time.
“We must tie all these desperate impressions together.”
“I can forgive my injuries in the name of wisdom, luxury, romance.”
“Let me tell you about heartache and the loss of god. Wandering, wandering in hopeless night.”
A man with dreadlocks played People Are Strange on a guitar. A young girl started to cry. Her boyfriend put his arm around her. It began to rain softly, as if her sadness was affecting heaven itself.
I wondered what Jim might say if he saw us all. I imagined it might be something like, “Cheer up. I’m only dead.” After all, he had referred to death as a “beautiful friend” and asked, “Can you picture what will be? So limitless and free.” Unfortunately for those who loved him, he wasn’t afraid of dying.
That night, we took the metro across town to Henri’s apartment. His girlfriend and another couple were there. They all looked like flower children, too. We all got along wonderfully.
It was a warm night so Lauren and I sat by a window. I looked out and noticed a mural of a man’s face on the front wall of an apartment building across the street. I wasn’t able to make out who it was at first, but as I focused, I realized it was Jim Morrison! I asked Henri why it was there. He said, “That’s where he died.” He pointed to a window and said, “That was his apartment, right there.”
That was the third and most chilling coincidence. We had not mentioned to Henri at the Laundromat that we were planning to visit Jim Morrison’s grave that day. In all of Paris, what were the chances of ending up across the street from the apartment where he died a few hours later? I imagined Jim had guided me there through Henri, a free spirit he would have liked and identified with.
I looked at the window of Jim’s old apartment again and saw the silhouette of a male figure passing behind the curtains. My rational mind knew it was just the current tenant, but my imagination had become unhinged. It was Jim, alive and well, pacing the floor, working on a new poem.
I looked at the portrait on the wall again, illuminated by soft moonlight, and it seemed to be smiling playfully at my bewilderment. But that feeling turned into comfort as I imagined it was Jim’s way of thanking me, not just for reading his work but for getting to the soul of it. I like to believe that artists who have passed on know when someone is savoring their creations, and that they smile for a moment before returning to whatever they’re doing in heaven. I hope so.
Lauren and I said goodnight to our new friends and walked down the street toward the metro. When we reached the corner, I asked her to wait for me. I walked back to the portrait on the wall and looked up at the window of Jim’s former apartment, lit with a soft, yellow light. I tried to remember the William Blake line that inspired the name of Morrison’s band . . . “If the doors of perception were cleansed, every thing would appear to man as it is, Infinite. For man has closed himself up, till he sees all things thro’ narrow chinks of his cavern.”
I had been living in a cavern, but for the first time in years, death didn’t seem so final. Everything did seem infinite. I thought of the friend I had lost and finally felt a little peace. I closed my eyes, touched the mural of Jim’s face, whispered “thank you”, and walked away into the Paris night, into life.
“This story is from Chicken Soup for the Soul: Angels and Miracles © 2016 Chicken Soup for the Soul, LLC. All rights reserved.”
An interesting bit of synchronicity happened today.
The family and I were on the freeway and I was joking about that scene from Three Amigos when El Diablo picks on his friend for not knowing what the word “plethora” means after he tells him he has a plethora of piñata’s for his birthday party. A minute later, what rolls by – a plethora of piñata’s!
Even though I’ve lived in Los Angeles all my life, a city with a large Hispanic population, I can never recall seeing a truckload of piñata’s like this before.
Is this mere coincidence, the law of attraction, or God’s sense of humor?
Here’s the scene from Three Amigos. Cracks me up every time.
This photo is titled The Last Ride – the final voyage for these unlucky (is there any other kind?) piñatas before getting the hell (okay, candy) beat out of them by a bunch of stick-wielding kids while bystanders laugh and cheer. Look at the fear in the eyes of the two on the left.